It's Samhain (Hallowe'en) in old Ireland, and King Connor is haunted by his life, his legacy, and the enemies he killed in his time. Based on the famous Ulster Cycle.

Ghost nation? Violent home? Traumatised country? What does the horror of one of the most famous writers of our time hide? What does his fictional America expose? To what extent does cinema feed itself off his unique vision and expression of fear? In other words: what kind of America is Stephen King telling us about?

Carlo's Wake is a black comedy about the life, death and wake of an Italian-American patriarch and his colorful, combative extended family.

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A young girl learns that she is the daughter of an executed politician and conspires to avenge her father's memory.

'Romance set around the famous air race in which a girl helps a nervous pilot to victory.' (British Film Institute)

'1765. Judge sentences highwayman to die, then finds he is his son.' (British Film Catalogue)

The king of Puerto-Nero is so cowardly that he instructs Berlock Sholmes to find him a look-alike capable of assuming power. Leducq, a Parisian hawker, thus becomes king of Chimeria and the lover of the queen whom he also believes to be a double.

Handsome British officer, Lt. Brian Fleming is sent undercover to infiltrate a lively band of pirates.

Rambaldo Tramontana, a count who went into battle backed by the French, returns to Matera to take revenge once he is victorious, but the city is deserted and he begins to commit abuses and violence.